Collection: Theophile Alexandre Steinlen
Biography of Théophile Alexandre Steinlen
Théophile Alexandre Steinlen, born in Lausanne on November 20, 1859 and died in Paris (18th arrondissement) on December 13, 1923, is a Swiss anarchist artist, painter, engraver, illustrator, poster artist and sculptor, naturalized French in 1901.
Son of Samuel Steinlen, a postal worker in Lausanne, and grandson of Christian Gottlieb (Théophile) Steinlen, a painter and designer of German origin, Théophile Alexandre Steinlen studied theology at the University of Lausanne for two years. In 1879, he turned to art by training in industrial ornamental design in Mulhouse, before settling in Paris with his wife Émilie in 1881.
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Living on the Butte Montmartre since 1883, Steinlen quickly became friends with artistic figures such as Adolphe Willette and Antonio de La Gandara. He frequented the cabaret Le Chat Noir, where he became friends with Henri de Toulouse-Lautrec and Aristide Bruant. He exhibited at the Salon des Indépendants from 1893 and at the Salon des Humoristes. An opponent of injustice, he depicted scenes from the street, factories and mines, highlighting the underprivileged such as beggars, workers, scruffy kids and prostitutes. He is also known for his drawings of cats in all their fantasy.
Steinlen favored drawing and pastel to represent daily life and its small trades, inspiring works by Jean Peské and Pablo Picasso. He also developed an engraved work and was especially popular for his posters, such as that of the Tournée du Chat Noir. In addition to his literary illustrations and collaborations with various humorous newspapers, he practiced sculpture on the theme of cats, and founded Les Humoristes in 1911 with Jean-Louis Forain and Charles Léandre. Steinlen is buried in the Saint-Vincent cemetery in Paris.
Involved in various libertarian causes, he illustrated anarchist works and campaigned for artists' unions. In 1915, despite his age, he went to the front to depict the lives of soldiers and civilians during the First World War. In 1917, he was commissioned by the Artistic Mission to the Armed Forces to bring back graphic works from the front, focusing his drawings on the misery of the soldiers and the exodus of civilians.
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156 (d'alignan ed) - Steinlen Théophile
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At the cantonment - Steinlen Théophile
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Class 17 - Steinlen Théophile
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Serbian Children - Steinlen Théophile
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Woman and Children - Steinlen Théophile
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Serbian Women - Steinlen Théophile
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The Nurse and the Hairy Man - Steinlen Théophile
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The Departure - Steinlen Théophile
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Permission holder holding a cane - Steinlen Théophile
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Note 19 (from Alignan) - Steinlen Théophile
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Note 23 (from Alignan) - Steinlen Théophile
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Note 24 (from Alignan) - Steinlen Théophile
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