His training at the Dresdner Kunstgewerbeschule gave him a solid technical grounding in the applied arts before his military service temporarily interrupted his artistic career. This military experience likely influenced his worldview and sensitivity to the social upheavals of his time.
The invitation to the Bauhaus in Weimar in 1924 was a decisive turning point. This revolutionary institution, led by figures such as Walter Gropius, challenged traditional artistic conventions and advocated the union of art, crafts, and industry. This Bauhaus immersion profoundly transformed his conception of artistic creation.
The 1920s saw Kinder maintain a figurative approach while gradually incorporating modernist lessons. This transitional period revealed an artist capable of evolving while maintaining his stylistic consistency, a delicate balance between tradition and innovation.
His membership in the Dresden Secession in 1932 demonstrates his commitment to local avant-garde movements. This institution, heir to the European secessions, promoted modern art that broke with academicism, a position that proved perilous under the Nazi regime.
The Parisian encounter with Pablo Picasso during the Second World War marked the definitive evolution towards abstraction. This confrontation with the master of Cubism definitively freed his pictorial expression from figurative constraints, directing him towards a purely plastic research.
The post-war period saw him become an independent artist, a status that allowed him to freely explore his aesthetic obsessions. His mature works are characterized by a dynamic color and a search for movement that testify to the lasting influence of the Bauhaus and his encounter with Picasso.
His death in 1986 in his hometown brought to a close a career of more than sixty years which perfectly illustrates the changes in 20th-century German art, from decorative crafts to international modernism.
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