Her early training at the Strehblow School from the age of 12 revealed remarkable artistic talent and family support for her vocation. This solid technical initiation then allowed her to join the prestigious Munich Damenakademie, an institution specially dedicated to the artistic training of women at a time when women's access to the Fine Arts remained limited.
Her student years in Munich (1907-1910) coincided with the artistic effervescence of the Bavarian capital, a center of European artistic modernity. This training in a progressive environment had a lasting influence on her aesthetic vision and her conception of the role of the female artist.
The itinerant period that followed his studies—Paris, Venice, and other European cities—testifies to an approach to artistic development typical of his generation. These study trips enriched his technical palette and cultural sensitivity, exposing him to various contemporary European artistic movements.
His move to Salzburg in 1910 marked his choice of a stable creative environment, in a city with a rich artistic and musical heritage. This Austrian settlement allowed him to calmly develop his personal style while actively participating in the local artistic life.
Her involvement in the VBK (Vereinigung bildender Künstler) and the "Vienna Women's Art" reveals her professional conscience and her activism for the recognition of women artists. These memberships demonstrate her desire to go beyond the status of enlightened amateur to establish herself as a recognized professional.
Her regular participation in exhibitions throughout her career confirmed her determination to maintain her artistic visibility despite the difficulties faced by women painters of her time. Her death in 1946 concluded a thirty-six-year career dedicated to the affirmation of women's art in the Austro-German cultural space.
